Led by Chris Stain and Billy Mode, the Art School Without Walls, Vol. 6’s “Sign Language” begins to take shape and the crew meets Martha Cooper
Even the scheduled power outage (due to building maintenance) couldn’t stop the Cre8tive YouTH*ink team from moving forward on their new mural. No problem: the crew simply got busy using the natural light streaming into the spacious Brooklyn loft at Industry City.
Rows of red, faux-brick panels with painted black and gray windows line the two long walls of the studio. A giant foot, taking up more than a single 4-foot-by-8-foot panel, gives a good indication of just how monumental the “Sign Language” mural will be once assembled at its final home at 267 Pacific in Boerum Hill, Brooklyn in early spring.
The panels in-progress are secured by an ingenious system of wooden slats, which are secured to the wall above and below the mural planks. Smaller pieces of wood are screwed into the boards so that they may rotate, holding the boards in place until they are finished and can be sent out to the construction crew that will put them up on the facade of the forthcoming building at 267 Pacific Avenue in Boerum Hill, Brooklyn.
A smaller side studio holds the completed panels, which lay on a slightly raised grid-system. These panels dry in the sunny, warm afternoon, waiting for their final layer of Sherwin-Williams industrial/marine clear acrylic overcoat for added protection. This smaller studio also houses most of the team’s supplies, with tubs of paint, brushes, wooden planks, aerosol cans and other items lined on a large makeshift table.
The team has spray-painted their names, tags, and various doodles onto these tables and the protective cardboard around the panels, giving the studio a lived-in feel.
The team of apprentices hums with a familiarity that only comes from a group that has worked together before; indeed, some of the students have participated in all five of Mista Oh and Cre8tive YouTH*ink’s previous projects.
From a ladder, apprentice Cynthia applies red daubs in a cross-hatch technique. When she begins to run out of paint, crew chief Crystal is already on her way over with a new tray of paint. The two compare this new shade of red with the color already drying on the panel and decide to go with a darker hue, to give the brick more depth and texture. This is just one example of the confident communication and collaboration going on within this experienced team.
On the other side of the room, Billy Mode talks with apprentices Alicia and Virginia, showing them one of his paintings. He discusses his use of stencils and how this technique can create mind-bending images. As fellow artists who have learned the art of stencils and spray cans directly from Mode himself, the team appreciates his work as equals.
Like the team they lead, Billy Mode and Chris Stain have a seasoned intimacy because of their collaborative history and friendship. Sometimes it seems like they don’t need to communicate verbally at all, so in sync are they with the project’s goals and progress. When they walk around the side studio, looking at the painted panels ready for their final coat, they merely nod satisfactorily and slap each other on the back.
In addition to traditional latex painting methods, the apprentices have learned aerosol spray-can techniques and stenciling savvy. These new skillsets are undoubtedly expanding the apprentices’ creative horizons. Despite an emphasis on the physical, plastic craft of painting during the construction of the mural, photography remains an essential component of the project.
The picture of an inner city youth collecting bicycle parts, on which the mural is based, hangs in multiple locations around the studio for inspiration. Big-ups to photographer Andrew Moore for his gift of the large-scale prints the team uses for reference.
She, like Stain and Mode, slid naturally into the role of mentor, doling out photography tips to crew chief Crystal, who is documenting the project for a class. Cooper, who like Stain and Mode hail from Baltimore, applauded the apprentices on their vision and dedication to such a large undertaking.
On Sunday, the first group of ten panels got their Sherwin-Williams clear coat to protect them against the elements, thereby completing the first set of mural panels.
The boards secured to the walls got their finishing touches of paint, soon to be moved to the side studio to dry and receive their final coat. The new, blank planks will be projected upon and stenciled, then painted and sprayed. The cycle goes on; wash, rinse, repeat. Ten panels down, 80 or so to go.
– Alexander Mahany